By Bernard Mendiburu
Hollywood goes 3D! sign up for the revolution with this primer to all the crucial talents for reside motion 3D, from preproduction via distribution.
3D notion and technology is gifted in an obtainable means that gives the rules of Stereoscopic imaginative and prescient you want to make the transition from the second global. instruments of the alternate are enumerated with an eye fixed on present constraints and what's coming down the pike to soft the best way. step by step directions element how 3D strategies impact each level of the creation together with screenwriting, artwork course, precept images, modifying, visible results and distribution.
The better half DVD comprises an array of second and 3D photos that show strategies and methods, 3D motion picture shorts that exhibit substitute options, After results undertaking records to discover and control for impression, and a source checklist of software program instruments and tutorials that show techniques.
*Understand cutting-edge 3D motion picture technology
*Tutorials reveal 3D photographs with off-the-shelf equipment
*Step-by-Step research of the creation method for a real-world 3D motion picture enables you to understand how to conform your talents
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Additional resources for 3D Movie Making Stereoscopic Digital Cinema from Script to Screen
Not doing so is taking a chance to not catch a problem and have your project severely damaged when it needs quick ﬁxes down the road. A sign of a team really caring about 3D is to see 3D glasses all over the place—on desks, on shelves, on monitors, in shirt pockets. Flood your facility with 3D glasses. Forgetting 2D We have already established that a 3D movie is much more than a pair of 2D animated pictures. It may be useful to repeat that mantra once again. It’s not the existence of these two shots that makes the 3D.
Or convergence. ■ Vertical parallaxes generated by zoom discrepancies, keystone effect, rotation, tilting, or ■ photographic mismatches in focus, lightness, contrast, motion blur, or shutter angle ■ Most common set-generated disparities occur when ■ An object is seen by only one eye, due to occlusion ■ Optical reﬂections or ﬂares are point-of-view based ■ Disparities can occur at the display level due to ■ Desynchronization and geometry mismatching ■ Screen-size effects generating excessive depth ampliﬁcation ■ Cross-eye leaking generating “ghosting,” resulting in double vision 33 This page intentionally left blank CHAPTER 3 Learning 3D Cinematography 35 There’s a popular belief that a 3D movie is just a movie shot with two cameras.
Some companies are working on such an approach, with mechanical, optoelectronic, digital, and software integration into a single digital 3D camera, not a 3D rig. This was, as of 2009, the most challenging and promising area of development for 3D cinematography. Despite all technical progress, 3D production will never come as cheap as 2D. After almost a century, producing a black-and-white or silent movie would still be cheaper. Three-D is initiated by additional visual stimuli and generates more emotions.
3D Movie Making Stereoscopic Digital Cinema from Script to Screen by Bernard Mendiburu