By Mark D. Stansbury-O'Donnell
Providing a different mix of thematic and chronological research, this hugely illustrated, enticing textual content explores the wealthy historic, cultural, and social contexts of 3,000 years of Greek paintings, from the Bronze Age during the Hellenistic interval.
• Uniquely intersperses chapters dedicated to significant sessions of Greek artwork from the Bronze Age throughout the Hellenistic interval, with chapters containing discussions of vital contextual issues throughout the entire periods
• Contextual chapters illustrate how more than a few elements, similar to the city surroundings, gender, markets, and cross-cultural touch, motivated the improvement of art
• Chronological chapters survey the looks and improvement of key creative genres and discover how artifacts and structure of the time replicate those styles
• bargains various attractive and informative pedagogical beneficial properties to aid scholars navigate the topic, equivalent to timelines, theme-based textboxes, key words outlined in margins, and extra readings.
• details is gifted sincerely and contextualized in order that it really is available to scholars despite their previous point of knowledge
• A e-book better half site is out there at www.wiley.gom/go/greekart with the next assets: PowerPoint slides, word list, and timeline
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Additional resources for A History of Greek Art
Didn’t you actually perform with them? ’ He was really excited. It’s funny to think of it now. ‘The NME are actually here. ’ He wanted them to get a bit of outrageous publicity. ’ I said, ‘I’ll do it if John says. If John knows, and we can do some sort of act. ’ Which is what happened. 44 What did the audience think? Well as you know, the Andrew Logan crowd were pretty unshockable, so we were in good company to do it, but they used it as a poster, and I think it did appear in NME. Did you go to Paris to the Chalet du Lac show?
Smashed him over the head. I found him wandering around later. I was objective about their performances, I didn’t say something was a great performance when it wasn’t. There were times when it didn’t work. A lot of it involved the audience, John couldn’t work with an audience that wasn’t feeding something back to him. They had this distance from the audience, but there had to be some sort of buzz going on with the audience for it to work. Can you remember any concerts that weren’t good? It was touch and go on the Jubilee boat trip.
The Slits, for instance, got left on the quayside. It was spelling disaster, so he started to play up. Then Steve started to do all the singing, which got John even madder. Cos John wasn’t singing the words, Steve was doing it. There was a lot of stick that night. John was very rude to Vivienne that night. You got this feeling that it had started to snowball too quickly. I think Vivienne went and kissed John and he just pushed her away. Boat parties are always a bad idea anyway, cos you’re stuck on this thing, you can’t take a walk.
A History of Greek Art by Mark D. Stansbury-O'Donnell