By Brent C. Sleasman
The lifestyles and paintings of Albert Camus presents perception into tips on how to navigate via an absurd ancient second. Camus's function as a journalist, playwright, actor, essayist, thinker, and novelist allowed him to interact a posh global in a number of capacities and supply an array of interpretations of his time. Albert Camus offers perception into how you can make the most of hearing suitable voices from earlier generations. you will need to permit the time to get to grips with those that sought solutions to related questions which are being requested. For Camus, this intended getting to know how others engaged an absurd historic second. For these looking anwers, this implies hearing the voice of Albert Camus, as he represents the nearest historic viewpoint on how one can make feel of a global that has extensively replaced given that either international Wars of the 20th century. this can be an intentional selection and merely comes via an funding of time and effort within the principles of others. just like Albert Camus's time, this can be an age of absurdity; an age outlined by means of contradiction and lack of religion within the social practices of the previous. while residing in this type of time, possible be vastly knowledgeable via looking for these passionate voices who've stumbled on a fashion regardless of comparable conditions. Many voices from such moments in human background supply first-hand insights into how one can navigate this sort of time. Camus offers an instance of an individual operating from a positive point of view, as he was once prepared to attract upon the idea of many contemporaries and nice thinkers from the prior whereas attractive his personal time in historical past. because the first book-length examine of Camus to situate his paintings in the examine of communique ethics and philosophy of communique, Brent C. Sleasman is helping readers reinterpret Camus' paintings for the twenty-first century. in the creation, Camus' exploration of absurdity is located as a metaphor for the postmodern age. the 1st bankruptcy then explores the communicative challenge that Camus introduced with the ebook of The Fall--a challenge that also resonates over 50 years after its preliminary booklet. within the chapters that stick with different metaphors that emerge from Camus' paintings are reframed so that it will support the reader in responding to the issues that emerge whereas residing of their personal age of absurdity. every one metaphor is rooted within the modern scholarship of the conversation self-discipline. via this examine it turns into transparent that Camus used to be an implicit thinker of conversation with deep moral commitments. Albert Camus's Philosophy of communique: Making experience in an Age of Absurdity is a vital ebook for someone attracted to figuring out the communicative implications of Camus' paintings, particularly upper-level undergraduates, graduate scholars, and college.
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Additional info for Albert Camus's Philosophy of Communication: Making Sense in an Age of Absurdity
THE FALL The Fall was first published in 1956; it was the last novel Camus completed and published during his lifetime. Written in six unnumbered sections, The Fall is told as a monologue by the central character, Jean-Baptiste Clamence, who considers himself a “judge-penitent” and invites his conversation partner (listener) and the reader to interact with his lengthy confession as he tells his story. Narrative In the first section, Clamence begins his relationship with a visitor to a bar in Amsterdam by offering to serve as an interpreter.
As he attempted to work out the implications of the absurd for the changing historical moment, Camus began to work with a new metaphor, rebellion. As already stated, the understanding of rebellion provided by these three projects does not represent an abandoning of the absurd but rather texture for an understanding of absurdity within an ever-changing historical moment. Though the background theory remained constant, the foreground events were ever changing (a true unity of contraries): during the writing of “The Myth of Sisyphus” and The Stranger, France was engaged in World War II; during the writing of The Rebel and The Plague, a new Europe was emerging after the war’s destruction had ended.
In this experience uncertainty manifests feelings of homelessness, physically and emotionally. In this state of existential homelessness one might feel stagnant or motionless, meandering about without arriving anywhere. It is in this experience that one feels a sense of failure permeating one’s existential existence. From experiences of both uncertainty and hopelessness one might describe her or his communicative exchanges occurring within a monologic vacuum. (“Revisiting” 495). In order to build upon the work of Arnett and Holba and establish a framework for interpreting The Fall, I next explain four metaphors in relation to the concept of existential homelessness: common center, dialogue, public sphere, and responsibility.
Albert Camus's Philosophy of Communication: Making Sense in an Age of Absurdity by Brent C. Sleasman