By Hal Leonard Publishing Corporation
All eleven songs from the 2006 liberate from this Massachusetts hardcore quintet: The Air That I Breathe * turn into the Catalyst * Empty inside of * Indictment * It Dwells in Me * now not on my own * Six * This Calling * We Stand * The vulnerable Willed * Whispers (I pay attention Your).
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Extra resources for All That Remains: The Fall of Ideals
J=104 r-- 3 r-- 3 , -e-0 41 , When a piece has a four-beat pulse based on an eighth-note triplet rhythm, it is often written as 12/8. The following etude, when properly played, will sound exactly like #6 above. 7. J. = 76 - 42 7. (cont'd) (Jazz Blues) 8. ', r-- 3---, B~7 E7 G7 A7 F7 G7 Cm7 Cm7 F7 3 B~7 E~7 (*) , 3-1 E~7 Cm7 F7 ~ 3 *Sounds like m '43 Chord symbols have been added to the previous etude so that you might experiment playing along with a chordal instrument. You should begin to analyze the pieces in this book, so you'll develop a theoretical understanding of the music you're playing.
When you scan ahead, also pay attention to whether upcoming groups of notes are scalic (scale-based) or intervalic (jumps). 31 Rere we introduce some different time signatures. The first is 3/4 time, in which the music follows a three-beat pulse. In this time signature, as before, the quarter note gets one beat, but now there are three beats per measure instead of four. Play: COUNT: 2 - 3 2 - 3 l - l - and- 2 2 3 2 - and- 3 3 ETC. Etudes: l. 32 ETC. 2. 3. 33 Notice that the next piece begins with a "pickup" note.
Tape-record yourself pIaying these (and other) pieces with and without metronome accompaniment. On pIayback, you' Il hear quite clearIy where your strengths and weaknesses Iie. Pay special attention to the timefeel. No bassist can fulIy develop unIess he/she has the abiIity to create a truIy accurate pulse. J = 116 A 1\ A > A -> > ---- >. Latini Funk C#m J = 132 F#m G#m C#m 64 --...
All That Remains: The Fall of Ideals by Hal Leonard Publishing Corporation